“Hello, this is Dave Black. Let’s talk about shooting the Olympics.”

Today started with a call from Dave Black.

Imagine the Mahre brothers calling with ski tips.  Or Kikkan sending a “Let’s work on your V1 skate” text.  Maybe an email from Serena about your backhand.  That’s the equivalent of this morning’s call.  Dave Black is one of the all-time great photographers.  And his sports work sets the standard for the rest of us.

My introduction to Dave was through another amazing photographer, Corey Rich.  I had reached out to Corey to find out if he had any experience shooting the Olympics.  “I’ve never shot one, but my friend Dave has shot a bunch.  I’ll introduce you.

Dave has shot twelve Olympics.  And he generously spent the next ninety minutes sharing lessons learned in the process.  In no particular order, here are ten tips from Dave Black’s Highly Unofficial Guide To Shooting the Olympics :

  • “Location, location, location” – Great location matters even more in photography than it does in real estate.  And to get the best locations at the Olympics, be prepared to get there early.  You’re competing against the most talented photographers in the world.  And while almost everyone can push a shutter button, not everyone is prepared to hike out to the best spot and sit in the cold for two hours to wait for the action.
  • “Pack cold medicine” – It’s not a matter of “if” you get sick at the Olympics, it’s simply a question ofcold medicine “when.”  You’ll be too busy to find cold medicine in town and that’s assuming you can read the label.  Pack a couple of bottles from home.  And it makes a great sleep aid in a pinch.
  • “Leverage your skiing ability & knowledge” – “You actually can ski?  You know these athletes?  As soon as we hang up, reach out to the photo editors and tell them.  Because the rock star photographer they hired from [agency] has absolutely zero interest in sliding down the mountain with his or her gear and has probably never shot a ski race.  That’s an opportunity for you.
  • Bring Your Own Gear” – The camera manufacturers — Nikon, in my case — typically have gigantic equipment depots at the Olympics that are chock-a-block full with the latest gear.  The process is simple — bring in your credentials and leave with a 400mm/f2.8 or anything else that strikes your fancy.  Just bring it back at the end of the day.  That’s great, but what if the facility isn’t open when you’re headed to the race hill?  Or if the depot is way across the village?  Better to bring your own gear whenever possible.  If Nikon can supplement your own set-up — great.  But it’s not Nikon’s responsibility to make sure you have the right gear.sandwich
  • Always pack an extra sandwich.” – We came back to this one a number of times.  And while I thought Dave was channeling my Mom, his point was one I’ve heard before — food is tough to find and carving out time to eat during the Olympics is even tougher.  Always have something extra in your gear bag.  And if you don’t need it — the course volunteer that has probably been there longer than you probably could use it.  And that small gesture could lead to a better location.
  • Take advantage of every bathroom” – No additional explanation necessary.
  • Hand Warmers.  Lots of them.” – These things work miracles on toes, batteries, fingers and gear.  And you’ll never find them in South Korea.  Bring a bunch and give an extra to your nearest course worker.
  • Don’t forget custom codes on your remote triggers” – Done.
  • Don’t forget a magic arm or two” – Done.
  • “Be kind to the volunteers” – Over the course of our discussion, Dave must have mentioned this fifteen times.  It doesn’t matter if it’s the Bill Chenard Memorial in Carrabassett Valley Maine, the NCAA Championships in New Hampshire or the Olympics — these big events depend on volunteers.  They’re the first to arrive and the last to leave.  They’re standing around in wind, rain and cold.  And while not the “stars,” the events couldn’t happen without their efforts.  Give them your extra sandwich or a hand warmer.  Say thank-you.  And if it translates to something that makes your job easier — great.  But you’ll be doing something good along the way.

Just a great way of spending the morning and a true honor.  Thanks Dave.

 

(P.S. – You should follow Dave on instagram : @daveblackphoto)

 

Cyclocross

New camera body arrived this week, so I threw in a few memory cards and went down to the Downeast Cyclocross Championships on the Eastern Prom in Portland.   My part words to my wife were “I’ll be gone an hour.  Two tops.”

I pulled back into the driveway eight hours later.  And that’s only because I ran out of memory cards.  It was my first time shooting cyclocross and I had an absolute gas.

My wife likes to remind me of this post…

I wrote this up for a few friends following the 2015 World Nordic Championships in Falun.  I’ll substitute “Olympics” for “World Championships” and “Korea” for “Sweden” when I get home in March

———–

Shooting the 2015 World Championships (aka “…And Then The Drunk Old Man Punched Me.”)

Therese Johaug
Therese Johaug winning the Skiathlon

I’ve had a couple of questions along the lines of “What was shooting the World Championships like?”

In short — Awesome.

It was an amazing event with incredible performances.  Petter Northug.  Charlotte Kalla.  Alex Harvey.  Rosie Brennan.  All special in their own way.  And if your heart doesn’t skip a beat when you’re standing with 25,000 rabid ski fans on the top of the Mordarbacken (A famous hill on the course) when the pack comes by — you probably don’t have one.

At the same time, it was a tough event to shoot.  Three quick reasons come to mind :

_SMF7042
One of the many places that the photographers weren’t allowed to stand.

1.  Access – I’ve shot a bunch of World Cups — both FIS & IBU — this was easily the most restrictive.  There were five, count ’em, five approved photo positions along roughly six miles of ski trail.  And seemingly every other day, we were told that the organizers had decided to eliminate a position or — in one case — event VIPs complained about photographers tromping through their special area, so our access to a position was cancelled.

The biggest culprit?  Television.  It’s safe to say that every position of visual interest had a television camera parked on it.  And unlike the NFL or MLB where an occasional pan of the photographers is part of the “presentation,” these folks truly don’t want to see you/have you in the shot/want you at the event.  UT UR BILDEN!!!

The access restrictions brought other challenges.  Our position on the Mordarbacken was approximately 15 minutes by foot away from the finish line.  The photo coordinator (“fixer”) — after having his request for a shuttle denied by race organizers — would walk us up to the position with the strict instructions that we had to leave “90 seconds after the lead skier went by.”  Period.  No discussion.  No exceptions.  Trying to get a shot of Matt Gelso in his first World Championship, but he’s trailing off the pack?  “So sorry, but we need to get back to the finish.

_SMF9022
The men’s pack coming up Mordarbacken

And once we left, we were moving.  Imagine 20+ middle aged men and women, careening downhill through the forest, dodging fans and carrying tens of thousands of dollars of camera equipment.  Now imagine that same forest is full of snow & ice.  And imagine that some of those fans are drunk.  It was like a real-life version of “Frogger.”  I’m still surprised that no one died in the process.

2.  Light or lack of it – The race schedule was determined by anticipated television viewing.  As a result, most race finals started at 2:30 or later in the afternoon.  And not only is Sweden getting dark at that time, but the stadium was getting really dark.

This shot of Alex Harvey was at ISO 3200 and f2.8.  And quite honestly, I should have cranked it up even higher.

Alex Harvey celebrating his silver medal in the 30k skiathlong
Alex Harvey celebrating his silver medal in the 30k skiathlon.

We asked why the finish area was so poorly lit and the answer — snarky or otherwise — was “they ran out of money after building the new ski jumps.”  The reply from the big-time photographers who were there — snarky or otherwise — was “would it be helpful if we all pointed our rental car lights toward the stadium?”

3.  Overly rabid fans –  I’m convinced that Scandinavia is home to the nicest people on earth.  No question.  But the combination of big races, warm weather and a lot of alcohol brought out the crazies — just like NASCAR or the NFL.

I was standing at the top of a hill with about ten photographers during the Team Sprint qualifying rounds.  An older gentleman standing behind us — clearly intoxicated — kept yelling at the group that he couldn’t see the large television in the stadium.  The local photographers tried talking to him, but the more they talked, the angrier he got.

20150220-_SMF8629
Rosie Brennan leaving the main stadium

A few minutes later, I slid into position to grab a few shots of a USA skier.  I felt taps on my shoulder and ignored him.  Just as I brought my camera up to my eye, I got hit in the back of the head.  A good solid “smack” that knocked me forward into other photographers.

Our fixer quickly came running over to start the process of getting security involved.  Honestly, I was lucky.  Given the crowd size and their overall condition, it could have quickly escalated from “unfortunate” to something much more.

Would I do it again?

Probably.  Maybe.  I think so.

Despite a few problems, it was an incredible event.  The photo supervisors — Nisse & Marcus — were fantastic.  The people of Falun & Sweden are amazing.  And I’ve got a collection of awesome images.

The World Championships are definitely not a place for the timid.  Short of the Olympics, almost any other race will give you more latitude in terms of course positioning, skier access and overall shooting conditions.

But at the same time — you won’t be joined by 25,000 fans on the Mordarbacken.  All cheering their hearts out…

(A bunch more photos on http://www.flyingpointroad.com)

 

_SMF9698
Billy Demong (USA) leading off the Nordic Combined Relay jumping
Petter being Petter
Petter being Petter
Another Therese Johaug "moment."
Another Therese Johaug “moment.”
Ski jumping judges.
Ski jumping judges.
Bryan Fletcher (USA) looking back at his brother, Taylor Fletcher (USA)
Bryan Fletcher (USA) looking back at his brother, Taylor Fletcher (USA)
Training time.
Training time.
_SMF0299
Men’s relay
And why shouldn't you wear a hockey helmet to a ski race?
And why shouldn’t you wear a hockey helmet to a ski race?
Another Norway celebration.
Another Norway celebration.

“Any interest in shooting the Olympics for us?”

And with that question from FasterSkier editor, Alex Kochon on June 30th, this next adventure began.

To be honest, the idea of going to South Korea had come up in an earlier conversation.  Tom Kelly, the venerable press officer of the U.S. Ski Team had mentioned earlier in the Spring that he might be able find an extra “EP” credential — the prized photo pass — if I thought I’d like to shoot the events.  The normal procedure requires an application two years prior to Opening Ceremonies, but Tom is part magician and thought he could expedite the process.  I was in the middle of a work project and never followed-up on the offer.

So it was an easy decision when Alex reached out.  Turns out it was the same pass that Tom floated earlier.  I’d be responsible for shooting all the cross-country, biathlon and nordic combined races for Fasterskier.  I’d go as part of a three person team — Jason Albert and Chelsea Little.  Jason is best known for his fantastic Nordic Nation podcast.  And Chelsea has been part of Fasterskier for as long as I can remember.  Now a doctoral candidate in Switzerland, she’s has also become one of the most knowledgeable writers on PEDs (performance enhancing drugs) and doping in sport.

On my end, I’d need to clear it with a few folks.  February is a busy time across my assorted responsibilities.  But as Stephen Kircher – the CEO of Boyne Resorts told me — “Once in a lifetime opportunities don’t come around too often.”

So it’s off to PyeongChang in February.  In the meantime, I’ll keep this blog — somehow I think this will be a process worth remembering.

Mass Start 50k Championships
Start of Men’s 50k at 2015 U.S. Cross-Country Ski Championships