Packing, Part #1

Wow, this is coming up fast.  With only 23 days before my plane leaves, I’ve got to start thinking about packing.

I’ll admit that my call with Dave Black earlier in the fall threw me off a bit.  I had initially planned to “go light” and borrow from the Nikon room when necessary.  But now that I’ve seen maps of the facilities, Dave’s advice to be self-reliant was right on.  There just won’t be time to go back to the main press center between events.

So here’s the camera gear I’m planning to bring.  With only a couple of exceptions, it’s my typical “kit” for a big event.

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Three camera bodies :

  • Nikon D5
  • Nikon D850 : Is it a landscape camera? Yes.  Is is an action camera? You bet.  It’s the craziest, best thing that Nikon has come out with in a very long time – ESPECIALLY if you like buying hard drives.
  • Nikon D4s : I’ll use this one primarily as a fixed remote when needed.

Seven lenses :

  • Nikon 300mm, f2.8 : My favorite ski lens of all time.  Sharp as nails.
  • Nikon 70 – 200mm, f2.8 : Years ago when I was shooting my first World Cup, I heard one of the European photographers describe this as a “fighting” lens.  Great all the time, but when a mass start comes down to a fight for the finish, it’s the one that you absolutely want to have in your hands.
  • Nikon 14 – 24mm, f2.8 : A bit of a specialty lens, but another favorite.
  • Nikon 24 – 70mm, f2.8
  • Nikon 35mm, f2 :  If you remove the battery grip from the D850 and add this lens, it’s a remarkably compact package.
  • Nikon 1.4x teleconverter
  • Nikon 24 – 120mm, f4 : This one is new to me.  My hope is that it’ll be a great lens for a fixed remote.  And frankly, it’s been a permanent fixture on the front of my camera since I bought it.

Assorted :

  • Three Pocketwizard Multimax with custom IDs
  • Manfrotto Magic Arm with a Hejnar Arca-Swiss plate.
  • Really Right Stuff Pocket Pod & Micro-ball Head :  RRS’s price points hurt just a little, but this was worth it.  At most races, I’ll shoot with one camera and use another as a “walking” remote – I’ll move it to different spots during the race.  After trying a bunch of pocket tripods/heads over the years, I’ve found that this is the only one that doesn’t creep from the weight of the camera.
  • Nikon SB700 flash : I’ve got some team shots to take and will use this for a little fill.
  • Nikon SU800 flash commander – Allows the flash to be used remotely.  And the very talented Joel Marklund taught me a few tricks with this at last year’s World Junior / U23 Championships in Soldier Hollow.

If anyone has any suggestions, please send them along.  And if someone wants to buy me this new Nikon lens,  please know that I will be eternally grateful.  Email me for a shipping address.

USANA 2017 FIS Nordic Junior & U23 World Ski Championships
Here’s a “walking” remote shot from last year’s World Junior/U23 Championships in Soldier Hollow, UT.  Photographers weren’t allowed to stand in this area, but we could put cameras here.

“Hello, this is Dave Black. Let’s talk about shooting the Olympics.”

Today started with a call from Dave Black.

Imagine the Mahre brothers calling with ski tips.  Or Kikkan sending a “Let’s work on your V1 skate” text.  Maybe an email from Serena about your backhand.  That’s the equivalent of this morning’s call.  Dave Black is one of the all-time great photographers.  And his sports work sets the standard for the rest of us.

My introduction to Dave was through another amazing photographer, Corey Rich.  I had reached out to Corey to find out if he had any experience shooting the Olympics.  “I’ve never shot one, but my friend Dave has shot a bunch.  I’ll introduce you.

Dave has shot twelve Olympics.  And he generously spent the next ninety minutes sharing lessons learned in the process.  In no particular order, here are ten tips from Dave Black’s Highly Unofficial Guide To Shooting the Olympics :

  • “Location, location, location” – Great location matters even more in photography than it does in real estate.  And to get the best locations at the Olympics, be prepared to get there early.  You’re competing against the most talented photographers in the world.  And while almost everyone can push a shutter button, not everyone is prepared to hike out to the best spot and sit in the cold for two hours to wait for the action.
  • “Pack cold medicine” – It’s not a matter of “if” you get sick at the Olympics, it’s simply a question ofcold medicine “when.”  You’ll be too busy to find cold medicine in town and that’s assuming you can read the label.  Pack a couple of bottles from home.  And it makes a great sleep aid in a pinch.
  • “Leverage your skiing ability & knowledge” – “You actually can ski?  You know these athletes?  As soon as we hang up, reach out to the photo editors and tell them.  Because the rock star photographer they hired from [agency] has absolutely zero interest in sliding down the mountain with his or her gear and has probably never shot a ski race.  That’s an opportunity for you.
  • Bring Your Own Gear” – The camera manufacturers — Nikon, in my case — typically have gigantic equipment depots at the Olympics that are chock-a-block full with the latest gear.  The process is simple — bring in your credentials and leave with a 400mm/f2.8 or anything else that strikes your fancy.  Just bring it back at the end of the day.  That’s great, but what if the facility isn’t open when you’re headed to the race hill?  Or if the depot is way across the village?  Better to bring your own gear whenever possible.  If Nikon can supplement your own set-up — great.  But it’s not Nikon’s responsibility to make sure you have the right gear.sandwich
  • Always pack an extra sandwich.” – We came back to this one a number of times.  And while I thought Dave was channeling my Mom, his point was one I’ve heard before — food is tough to find and carving out time to eat during the Olympics is even tougher.  Always have something extra in your gear bag.  And if you don’t need it — the course volunteer that has probably been there longer than you probably could use it.  And that small gesture could lead to a better location.
  • Take advantage of every bathroom” – No additional explanation necessary.
  • Hand Warmers.  Lots of them.” – These things work miracles on toes, batteries, fingers and gear.  And you’ll never find them in South Korea.  Bring a bunch and give an extra to your nearest course worker.
  • Don’t forget custom codes on your remote triggers” – Done.
  • Don’t forget a magic arm or two” – Done.
  • “Be kind to the volunteers” – Over the course of our discussion, Dave must have mentioned this fifteen times.  It doesn’t matter if it’s the Bill Chenard Memorial in Carrabassett Valley Maine, the NCAA Championships in New Hampshire or the Olympics — these big events depend on volunteers.  They’re the first to arrive and the last to leave.  They’re standing around in wind, rain and cold.  And while not the “stars,” the events couldn’t happen without their efforts.  Give them your extra sandwich or a hand warmer.  Say thank-you.  And if it translates to something that makes your job easier — great.  But you’ll be doing something good along the way.

Just a great way of spending the morning and a true honor.  Thanks Dave.

 

(P.S. – You should follow Dave on instagram : @daveblackphoto)